Grownups love music lessons as much as the kids do

BMA was featured as a business profile in the Barrhaven Independent on May 17, 2013. Read the wonderfully written article by reporter Bev Mcrae below, or pick up a copy at the UPS Store in Barrhaven (900 Greenbank Rd) or Ross’ Independent Grocer (Greenbank Dr & Strandherd Ave).

Barrhaven Music Academy opened its doors in July, 2012 and already is as popular with parents as it is with kids. Left to right, Tashi Bernard (voice), Kendra Mathers (piano), Nadia Zaid (voice and piano), Ashley Martyn (acoustic, electric and bass guitar), Corey Taylor (guitar, voice) and Ria Aikat (piano) love teaching music to all ages - from preschoolers to adults.

Barrhaven Music Academy opened its doors in July, 2012 and already is as popular with parents as it is with kids. Left to right, Tashi Bernard (voice), Kendra Mathers (piano), Nadia Zaid (voice and piano), Ashley Martyn (acoustic, electric and bass guitar), Corey Taylor (guitar, voice) and Ria Aikat (piano) love teaching music to all ages – from preschoolers to adults.

Grownups love music lessons as much as the kids do

By Bev McRae

On any given evening you will see adults sitting in the waiting room at Barrhaven Music Academy in the Mulligan Centre on Woodroffe Ave. at Longfields Dr. The thing is, they’re not all waiting for their kids. They may be waiting with their kids.

“We have tons of adult students,” said Ashley Martyn, co-owner of the music school. “We have many in piano, guitar and voice who just love it. In a lot of our families, the mom or the dad will take a lesson while the kid is taking a lesson. It’s really fun. The adults enjoy it as much, if not more than the kids.”

Martyn and her friend Nadia Zaid, who both grew up in Old Barrhaven, opened Barrhaven Music Academy in July 2012, and now, along with seven other music teachers, offer lessons in piano, guitar, bass guitar, voice, violin and drums for students of all ages, even preschoolers.

“The Tuneful Tots program is a music education program designed for three to five year olds, that age where parents may not be sure they want to jump them right into private lessons,” said Martyn. “The students don’t specialize in any one instrument in Tuneful Tots, they get used to rhythms and beats, learning lyrics, learning songs – just getting them excited about music.”

Tuneful Tots is taught by Kendra Mathers, one 45-minute lesson a week of singing, clapping, ear training, making music and moving to it. “We have a box of instruments with maracas, tambourines, shakers, rain sticks,” said Martyn. “Everyone takes an instrument and they create simple rhythm first and then it gets more complex and they learn how to keep a beat together and how the different instruments sound like when they’re played all together. It’s a lot of fun, just hilarious. It’s like playtime for them, but they’re having the love of music instilled in them while they’re playing the song.”

At what age are children ready for private lessons on their favorite instrument is a question Martyn often has to answer. “It really depends on the student,” she said. “If they’re super-motivated and willing to understand the practice that it takes to progress at a steady pace; I’ve had students as young as four.”

And of course, whatever instrument the little one plays has to fit. “There are half size guitars, three-quarter size and full size,” Martyn explained. “A little four year old would play a half size guitar. As long as their fingers can reach the four frets, they can play it.”

Other instruments are too big for little beginners, which is why many parents choose to enrol their children in piano lessons.

“With the piano, you just have to be able to press down a key and that doesn’t take much physical effort, so a lot of our students start on the piano because it’s easier and you can get the sound out right away,” Martyn said.

Piano is the most popular class at Barrhaven Music Academy, and the school has teachers available for all levels from beginner to advanced. The average time for a lesson in one of the school’s five classrooms is 30 minutes for a flat fee of $22. Adults or more advanced students may prefer a 45-minute or one hour session.

The music school also has a Youth Choir for singers age seven to 12, led by I.iz Wardhaugh that rehearses one hour a week on Thursday nights, at a cost of $15 per session.

“Most of the members are our students who are taking voice lessons, but we do have some outside kids who have joined just that program,” Martyn said. “It started in January and their debut performance will be at our summer concert in June. Eventually we’ll get them into competitions like the Kiwanis Music Festival.”

Barrhaven Music Academy presents two concerts a year, one in June, another in December, but last September students and teachers also held a special fundraiser for a young Barrhaven woman, Brynn Mclennan, who needs stem cell treatment for her muscular dystrophy.

“It was an outdoor show in the parking lot where the school is, then we had our big holiday concert in December so we’ve had two shows already,” said Martyn. “It was a lot of fun. The students love it. Performing in a concert inspire them, gives them motivation – and they love to see their teachers on stage.”

Getting a child to practice a music lesson and to enjoy music isn’t as difficult as many parents fear, said Martyn. It’s a combined effort on the part of the teachers and the parents.

“We’ve designed the program for every instrument to keep it fresh, keep it interesting, to make sure they’re not always playing the same kind of piece from the same book,” said Martyn. “We like to change it up, maybe throw in not just practical stuff, but some theory, ear training or games just to liven it up and keep their minds going.”

It’s important for parents to understand that a rigorous, hourly marathon of scales every day is not mandatory, a good five minutes is plenty for a beginner. “When they start, that’s all they really need. Just to get into the routine of doing it,” said Martyn.

“It’s quality over quantity when it comes to practicing. A good quality five or ten minutes every day is better than forcing them to practice for two hours on a Saturday when they really want to be playing outside.”

Both owners of the Barrhaven Music Academy have loved music since they were little, growing up in Old Barrhaven and attending John McCrae Secondary School, although Nadia is three years older than Ashley.

“I think I pretty much stole the guitar my mother had lying around the house,” laughed Ashley. “We always had music going on in our house. I did piano when I was growing up and I did trumpet in middle school so I always had music going on in my life. It was never very far out of reach.” Martyn has studied a world of genres and styles, including rock, pop, blues, jazz & classical, most notably under the Canadian guitar guru Anders Drerup.

Zaid has a Bachelor of Music degree from Carleton University and a Bachelor of Education from Ottawa University. Martyn has a Bachelor of Arts in Communications and Music with honours (2008) from University of Ottawa. Zaid has been teaching for ten years, Martyn for seven, both privately and at another music school. Both love music, and love teaching.

“We actually met working at another music school,” said Martyn, “but we wanted to teach music differently, to put our own stamp on it. In some schools it’s all about exam marks or how fast they can get through a method book. We want the students to really love music. We really want them to succeed so they will love music.”

The Barrhaven Music Academy is located in the Mulligan Centre at 2900 Woodroffe Ave. in Barrhaven The school is open Monday to Friday from 3 to 9 p.m. and on Saturday 11 a.m. to 4 p.m.

Phone (613) 459-6027, e-mail info@barrhavenmusicacademy.com or visit the website at www.barrhavenmusicacademy.com for more information.

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Great job Keeley!

One of our students, Keeley Baizana, 11, had the opportunity this week to sing the national anthem at a City of Ottawa council meeting. 

Watch the clip here:  http://app05.ottawa.ca/sirepub/mtgviewer.aspx?meetid=2474&doctype=AGENDA

Keeley’s performance also received some rave reviews on Twitter that morning:

Harder introduces the anthem singer, an exceptionally adorable moppet from Barrhaven. She’s excellent.” – David Reevely (@ReevelyLive)

“@BaizanaIns @BarrhavenJan @AlisonBaizana Great job! Keeley is a star!” – City Councillor Steve Desroches (@SteveDesroches)

“She was awesome!…” – City Councillor Jan Harder (@BarrhavenJan)

Way to go, Keeley!

Congrats to the 2013 Greely Idol winners!

9 year old Anna West, first place winner for the Junior Division in this year’s Greely Idol vocal competition.

A very special shout out to two wonderful young singers, Anna West and Gillian Fenwick, for each capturing a win at Greely Idol 2013!

The vocal competition, which was held January 26-27, 2013, was a chance for young singers across the city to come showcase their stuff in front of a live audience and panel of judges, including Stephanie LaRochelle, the runner-up from CBC’s Over The Rainbow.

Gillian Fenwick was crowned the winner of the Senior Division after her acoustic rendition of David Guetta’s “Titanium”. At just 13 years old, Gillian was the youngest participant in her catergory.

Anna West, 9, was given first place honours after tying for the top spot in the Junior Division for her cover of Adele “One & Only”, along with vocalist Jake Hamilton.

Anna’s been studying voice for a few years now, and Gillian started in lessons this past September. Both currenly study with vocal teacher Tashi Bernard at Barrhaven Music Academy in Ottawa.

Congrats again girls on a job well done!

Catch their winning performances here:

Hate learning theory? There’s an app for that

Attention students and teachers! Understand & improve your music theory knowledge with this handy app

A colleague of mine, Tashi, introduced a very clever music app to our teaching staff the other day. Tashi, a vocal teacher (and all-around musician – she also plays piano, guitar and violin!), mentioned that she not only recommends this app to each and every one of her growing list of students, but encourages other teachers to take a peek as well.

Called ‘Music Theory Pro’, and available for download off the iTunes App Store, it was developed by Dr. Joel Clifft, a professor of music at Azusa Pacific University and the University of Southern California. It’s used by teachers and students alike on many university and college campuses throughout the US.

So what can you do with it?

The reason why this app is so awesome probably lies in the fact that it is a toolbox full of music theory exercises, games and quizzes, and useful for beginners, intermediate and advance students.

For example, you can:

  • Practice naming notes on the piano and on the staff;
  • Learn key signatures;
  • Get better at intervals, including major, minor, diminished and augmented;
  • Look up chords and inversions;
  • Do ear training, from easy to challenging for the more advanced student;
  • Identify anything from seventh chords and to modal scales;
  • Take quizzes to identify tempos and beats per minute;
  • Complete various exercises in all of the above to sharpen your overall theory skills.

This app is handy because any student can benefit from it; if you are training to be a classical pianist or contemporary singer, or just want to understand the basic rudiments, Music Theory Pro is chock-full of goodies to help anyone desiring to become a better musician.

And, I think most teachers will agree, learning the theory side of things should be a component in all music training! Having an app of this nature right in your pocket is a great way to motivate students by having an easy-to-understand structure and entertaining learning platform…much more entertaining than scribbling notes in a theory book.

Download it here for $0.99: http://itunes.apple.com/us/app/music-theory-pro/id390788573?mt=8

The importance of rhythm – and why all students should master it!

What is Rhythm?

The word ‘rhythm’ stems from the Greek word rhythmos, meaning “any regular recurring motion, or symmetry”. In music, rhythm is about when notes, chords, and other musical sounds begin and end. As a result, rhythm is the essential ingredient in all music.

No matter what instrument a student is learning, everyone needs good rhythmic foundation. Melodies, scales and chord patterns are all dependent on a piece’s rhythm. The importance of developing a strong sense of pulse or rhythm is a crucial element when learning to play – and being taught the basics of rhythm starts in the very first lesson.

And, as students’ progress, it will become easier for them to understand why something doesn’t sound exactly as it should – more often than not, it is rhythm which needs work or changing. By developing a good sense of rhythm students will be able to better identify when the pulse or beat is off.

Mastering rhythm is essential for many “rhythm section” instruments:  bass, drums, and rhythm guitar and piano. Even melodic parts, like vocals or lead guitar, need to understand the rhythm in order to play fluidly with accompaniment.

Learning Rhythm

Rhythm exercises should be a part of a student’s daily practice regimen.  Mix rhythm exercises together with scales, arpeggios, songs, and various techniques.

Here are some tips to develop rhythm:

1.    Use a metronome

While playing with metronomes will no doubt make everything tougher, it is a great way to get used to playing with an outside beat. Sometimes, when students tap the beat themselves, or count aloud, they unknowingly slow down in the harder spots, or speed up towards the end of a piece. Using a metronome will allow practicing with a steady, constant beat.

2.     Practice rhythmic exercises

Start out simple and work your way through more complex patterns. Clapping and counting rhythms out loud is a great way to become more comfortable with rhythms, especially for students who learn best through auditory methods. For visual learning, write in the rhythm (1 + 2 + 3 + 4+…) in before playing or clapping.

3.     Understand the time signature

Rhythm is expressed, stated, and describe with a time signature, which defines the note duration and time relationship. A rhythm in 4/4 time will be different than one in 6/8 time, so make sure you understand these values first, before counting or playing.

4.     Watch out for rests, ties and dotted notes

More complex rhythms will have these components which will increase difficulty.  Make sure to spot these tricky parts and work on them separately at first!

5.     Start slow

Any new rhythm should be practiced slowly, giving full value to all notes, rests and any other markings in between. Start as slow as needed so there are no unwanted pauses between sections or phrases – and challenge yourself to go faster once you have mastered a lower speed.

6.     Listen and play along

Listening to the piece before attempting to count, clap or play it will help your ear identify if you are doing it correctly or not. For another challenge, try playing along with the recording and see if you can match the rhythm, once you have a good grasp on it!

Not sure where to begin with your rhythm practice? Download the exercises below!

Exercise 1: Rhythms – Beginner

Exercise 2: Rhythms – Intermediate

Exercise 3: Sixteenth Notes

Exercise 4: Triplets

Exercise 5: Dotted Rhythms

Exercise 6: Syncopation

On the set of Daytime Ottawa

The last few weeks have kept us busy preparing for Music 4 Brynn, and a short while ago I stopped by the studios of Daytime Ottawa to chat with hosts Derick Fage and Lois Lee about the event:

 

Is your child ready for music lessons? 5 signs to look for

As a music teacher, one of the most common questions I am asked is “What age should my child start music lessons?”

Surprisingly enough, kids can actually start formal music training as early as age 3, when their brain circuits start to mature and are ripe for learning music. Studies have shown that learning music as young as this can increase brain development and cognitive power.

No matter, you have to take each child and situation on a case-by-case basis, as all children have different learning styles, interests and goals. Here are a few things to look out for when deciding if your child is old enough to take the plunge into formal music training:

Actions speak louder

Observe and listen to your child attentively. Could they be displaying an interest in music that they don’t yet know or how to verbally express? Are they running around the house dancing, singing or creating rhythms on their own? A full-sized instrument (such as piano) may be too intimidating for them; your child may be comfortable with creating sounds and rhythms using familiar object and toys. This could be an indication that they enjoy music and would appreciate lessons.

Is there interest?

Young children who display a natural fascination for music will soak up lessons faster than those who display no interest at all. Look for signals that your child enjoys listening, dancing and creating music on their own. Do they talk about music? Do they ask questions about sounds, make comments about different tones, pitches and timbres? The more they display an inclination to music, the better suited they will be for classes.

Talk about it

Talk to your child! Discuss with them how music lessons work, what is involved and what they need to put in. Explain the benefit and necessity of consistent practice and how it will make them better over time. A lot of young students love making music and hearing sounds, but they can fail to understand that music lessons, like regular school, require a little bit of effort to make it enjoyable and beneficial in the long run. If your child is okay with putting in the effort to learn, they may be ready to go!

Be supportive

Even if, as a parent, you have no background in music or the arts, it is important to lend support and encouragement to your child if they are keen on taking lessons. Even when a child doubts their own abilities, stay supportive and remain positive; explain that hard work is necessary but the benefits far outweigh the costs. If they do well, praise them! Let them know you are proud. It is important that your child knows they have a network of support so they will want to continue to learn.

It should be fun!

Never, ever, force a child to learn music if they absolutely do not want to. This will only lead to a waste of their time and yours. Keep in mind, if a 4 or 5 year old displays no interest in music, that may not be the case a few years down the road. Starting a child too early is music can have adverse effects and ruin any love they could develop for that particular art if they are given the time to express it on their own, at a later time. First and foremost, learning to play an instrument should primarily be enjoyable. If your child isn’t enjoying it, then perhaps it isn’t time just yet.

It’s not an exact science to determine the proper age for a child to start taking formal music lessons. As a parent, it’s up to you to determine if your child is ready based on what you’ve seen and the inclinations of each child.  If you don’t think your son or daughter is ready for formal music lessons, try joining an early music education program which focuses on fostering a love of music, rhythm, and self-expression. By exploring how different instruments sound, and how music makes them feel, your child may learn to appreciate music more than they realized!

No matter what the scenario, age, or instrument, the most important thing is that your child’s experience with music is fun!